Waves
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Waves

Waves Tame Impala’s Be Above It plays and a set of panoramas features the teen couple from A Moment in Time: Waves. Waves The climax of the boot remains etched in memory for a time. Since his debut with the cassavetiana Krisha (2015), many of us were not surprised that Shults was a collaborator of Malick. Arrives at night (2017) confirmed that we are facing a director with personality and not suitable for all audiences. A moment in time: Waves dives into the entrails of the individual in a ‘nightmarish’ and brilliant way, simulates commercial touches (watch out for the video clip mode), but puts a radical formula first to build a drama that winds between genres.

Is it a film? Are two? Is it about heartbreak? Is it a family rehearsal? A thriller? Shults does not want a corset and each scene flees from the previous one. This ambiguity in the form and the substance suggests a strange and extremely complex narrative journey, thus appealing to the most demanding viewer. There are vitalist experiences in the Linklater style (the same one who admitted wanting to film that thing in the air). By the way, the music is by Trent Reznor. Shults is a versatile filmmaker and you have to keep track of him.