Vox Lux
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Vox Lux

Vox Lux three years after triumphing at the Venice Film Festival with The Childhood of a Leader –which won two awards as it Vox Lux passed through the Orizzonte section–, the young American filmmaker Brady Corbet returns to the Mostra with Vox Lux, a film that could have been called The Childhood of a Pop Leader. As he did in his debut feature –where he studied the emergence of fascism in the interwar period in twentieth-century Europe–, Corbet observes in Vox Lux the growth of a character on whom the tensions and contradictions of his time converge, in in this case the dawn of a dark 21st century.

After surviving an attack that refers directly to the Columbine high school massacre in 1999, young Celeste (Raffey Cassidy) becomes a pop phenomenon when a song composed in the hospital, while recovering from her injuries, becomes a hymn. of national reconciliation in times of mourning. Soon, success will lead Celeste to the most commercial face of the entertainment industry, and in 2017, already played by a histrionic Natalie Portman, the viewer will discover her turned into a black hole of cynicism. “My songs are getting worse and worse, but they are being sold more and more,” says the protagonist arrogantly, devoured by immaturity and narcissism. Delivered to the apology of the immediate – “everyone wants something new and empty,” defends the star – it is not difficult to identify this diva of banality as a spokesperson for the amnesiac and ignorant America dreamed of by Trump.

Duration: 114 min

Release:

IMDb: 5.9