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The Call

The Call the first thing that amazes about Lee Chung-hyun’s The Call is its director’s ability to tell a story in two The Call different timelines without using any of the usual resources that are often used in the cinema to define the temporal spaces.

In itself, that narrative ability that turns the script into two views in parallel on a single event is not only the backbone of the film but also the most intelligent way to engage in a direct confrontation with a specific question: how can time or in any case, the breaking of the temporal, being used creatively in a horror plot? Lee Chung-hyun does it and also makes a very unusual decision in movies like this: he tries to reflect on the consequences of what happens in both places at the same time.

Duration: 112 min


IMDb: 7.1