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Spree it could destroy you, the HBO series written, directed and performed by Michaela Coel, has become not only the Spree sensation of this season, but an official representative of a new genre: cellphone realism, that is, a contemporary subgenre in which the Action is dictated by smartphones. Through Arabella, an emerging successful millennial writer who is raped after having a doctored drink in a London bar, Coel explores the limits of consent and the trauma of sexual abuse. And she does it in the least hackneyed way, starting with the name of the bar: Ego Death Bar. And capturing, with the naturalness that allows you not to have known anything else, the blurred boundaries between online life and the real life of twentysomethings right now. Or, rather, that there are no borders anymore, and that the personalities that you are sowing in this application or another are as much a part of you as yourself. Which, as Michaela Coen recounts, causes a festival of chain reactions and often simultaneous.

The trend has already been certified by Spree: a horror film directed by Eugene Kotlyarenko and starring a misfit boy (Joe Kerry, famous for Stranger things) who in his desperate search for followers, ends up transforming into a killer psychopath. In the film, Kerry becomes the driver of an Uber-like app, places cameras in his car, and records how he murders his clients: influencers, Ted talks computer scientists, famous comedians … Everything takes place in the format of live streams, broadcasts in I live with those who have direct contact with your followers. Kerry is hyperdocumenting each of the murders. He says: “If you’re not broadcasting it online, you don’t exist.”

Duration: 93 min


IMDb: 5.8