Red
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Red

Red, White and Blue, the third and final installment of Steve McQueen’s Small Axe quintet of films about racial issues Red specific to Great Britain being world premiered at the New York Film Festival, zeroes in on the ordeal of a young black Londoner set on helping to definitively break the color barrier at London’s Metropolitan Police Force in the early 1980s. (The first black officer on the force was Norwell Roberts, in 1967.) Meeting with great resistance both from the vast majority of white Bobbies and his own hard-headed father, Leroy Logan had a very hard time of it, which makes for a compelling story of admirable perseverance, even if it ends up being a rather predictable one.

All three of the entries shown thus far are engaging in their own ways and, best of all, open a window upon characters and ways of life almost entirely ignored in mainstream media; the occasional black character turned up in New British Cinema features of the early 1960s, notably the young lad who got Rita Tushingham pregnant in A Taste of Honey, but in general they were very seldom seen.

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