King Arthur: Legend of the Sword
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King Arthur: Legend of the Sword

King Arthur: Legend of the Sword Guy Ritchie’s cheerfully ridiculous Arthur is a gonzo monarch, a death-metal King Arthur: Legend of the Sword warrior-king. Ritchie’s film is at all times over the top, crashing around its digital landscapes in all manner of beserkness, sometimes whooshing along, sometimes stuck in the odd narrative doldrum. But it is often surprisingly entertaining, and whatever clunkers he has delivered in the past, Ritchie again shows that a film-maker of his craft and energy commands attention, and part of his confidence in reviving King Arthur resides here in being so unselfconscious and unconcerned about the student canon that has gone before: Malory, Tennyson, Bresson, Graham Chapman, John Cleese, Eric Idle etc. Instead, Ritchie launches into an all-purpose tale of medieval brigands and scofflaws. It’s more of a laugh than Antoine Fuqua’s solemn take in 2004.

Arthur and the Round Table knights are more like Robin Hood and the merry geezers, a tale of right lairy thieves, and Ritchie’s story of their supernatural-assisted insurrection against the forces of tyranny cheerfully pinches bits of The Lion King and Gladiator and The Hobbit and Testaments Old and New; and he even has a talking-into-a-severed-ear joke nicked from Reservoir Dogs. It’s unsubtle to say the very least, in the same way that Iron Maiden is unsubtle. But maybe subtlety is the wrong approach. At any rate, Ritchie has his head firmly in the speaker bin, and at one stage an evil character even winces and cringes with a ringing in his ears, as if he has been doing the same thing.

Duration: 126 min

Release:

IMDb: 6.7