Godzilla: King of the Monsters
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Godzilla: King of the Monsters

Godzilla: King of the Monsters I have a strong emotional relationship with the latest Godzilla reboot in the Godzilla: King of the Monsters Japanese-American hybrid of the union between Toho and Legendary. Not only was it a beautiful work moment in which he began to make reviews on this, his trusted site, but a new hope was born. Remakes of Godzilla, from Ishiro Honda’s glorious 1954 film, were either isolated in the Japanese cult or passed the puddle with terrible, wicked alterations.

Roland Emmerich, such a distinguished director of senseless catastrophes, did not understand the emotional weight of Godzilla and did not mind reflecting on his origins. Thus, in the 1998 film, he did a gruesome reboot in which he transformed a god into nothing more than a hungry beast. This mess of obtuse and confused realism led, almost twenty years later, to Toho’s return to American screens with a film that finally appreciated the origins of Godzilla.

They can say what they want about the Gareth Edwards film, they can talk about how derivative the first hour was or the waste of actors of the stature of Bryan Cranston and Juliette Binoche in favor of others, less interesting, like Aaron Taylor-Johnson and Elizabeth Olsen, but you can’t deny the excitement that the fights with the MUTOs caused and the huge, huge surprise it was to finally see Godzilla’s atomic blue ray in an American movie. They were beautiful moments that dialogued with films like Gamera vs. Gyaos (1966) and Godzilla 2000: Millennium (1999) in absolutely unexpected ways.

Duration: 132 min

Release:

IMDb: 6.0