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Destroyer stunningly absent from this year’s Oscar nominations, “Destroyer” continually plays with our expectations of Destroyer what a film should be about a disgraced Los Angeles cop whose actions from the past impact on the present. However, the subtle and highly intelligent proposal of Karyn Kusama and the screenwriters Phil Hay and Matt Manfredi (with whom he already collaborated on ‘The Invitation’) make it more than a ‘Serpico’ or a ‘Corrupt Lieutenant’ starring a woman.

Or maybe it is just that, and that condition is precisely what gives her all her energy: the fact that for once she is a tough and surly woman -as the canon mandates- but at the same time human and fragile -as we hope. of the typical sex change of the protagonist-, is what makes, inadvertently and naturally, without overexplaining or underlining, we ask ourselves questions. About the tragic human background that hides the trope of the ruthless policeman, without compassion, almost without morals, unable to fit in with society and who only works under her own rules. What’s behind that heart of stone and those ever ready fists?

Nicole Kidman is the police detective Erin Bell, who is still dragging the aftermath of a case from twenty years ago: alcoholic, irritable, unpredictable, she often spends the night in her car. A new case, a body found by the river, takes him back to that bloody debacle two decades ago, in which he starred alongside his partner at the time (Sebastian Stan): a bank robbery, planned by a human-skinned snake called Silas (Toby Kebbell).

Duration: 121 min


IMDb: 6.2