Bad Times at the El Royale
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Bad Times at the El Royale

Bad Times at the El Royale the usual thing in movies and television series is that their stories are transparent, Bad Times at the El Royale that is, that the viewers know at all times what is happening or most of the circumstances that the characters face, and in this it does not influence whether the structure of the The script is linear, uses flashbacks, starts in media, jumps from one moment to another in the story, or a combination of some of these options. The less frequent thing is that one throws a good part of the tangled footage without knowing the reason for what happens and not even what the motivations of the protagonists are; and this pleasant uncertainty is what they give us in the film Bad Times at the El Royale, directed by American Drew Goddard in 2018 and released in different countries throughout these months.

Sitting down to watch the director’s second film after his feature film debut, the daring but unsuccessful The Cabin in the Woods (2012) —a cult play with a script by Joss Whedon (The Avengers) and Goddard himself who recycles the clichés of horror cinema by giving them a twist and giving them freshness like this, but which is shipwrecked in the end with bad decisions—, it is to suppose that one is not going to contemplate a normal film show, and it is not a mistake: Goddard, who here signs as author The only one of the libretto, it builds the complex intrigue of a narrative puzzle with flashbacks and other situational jumps that are putting together an explanation of what happens at the Hotel El Royale, a very pleasant dramatic toy with seven main characters and their own mystery behind them.

Duration: 141 min


IMDb: 7.1